Berlinale 2008 - 8 - Forum - Exiles

31 January 2008

A thread of anguish, strength, and survival runs through this year’s Forum. Exile - removal from one’s country, one’s body, one’s home, enforced or self-imposed. Thirteen films, at least. More to come…

  • Balikbayan Box by Mes De Guzman, Philippines/Netherlands/Switzerland (Drama - International Premiere). A “deceptive rural idyll” that focuses on these “care packages” to tell a story of the children of immigrant Filipino workers in search of a living wage. [read more at Berlinale site]
  • Be Like Others by Tanaz Eshaghian, USA/Canada/Iran (Documentary - International Premiere). Iranian men undergoing sex-change operations. [read an interview with Tanaz Eshaghian]
  • El Camino (The Path) by Ishtar Yasin Gutiérrez, Costa Rica/France (World Premiere). Children’s exodus from Nicaragua to Costa Rica in search of their parents.
  • Corridor #8 by Boris Despodov, Bulgaria (Documentary - World Premiere). “A geographic tale” of “life along the Corridor #8 infrastructure project connecting the Adriatic and Black seas, and linking Bulgaria, FYROM, and Albania.” [read more at Thessaloniki Documentary Festival site]
  • Corroboree by Ben Hackworth, Australia (Drama). Megan Spencer of the Perth Film Festival describes this film as “a must for anyone who loves cinema.” “A haunting experience of intense beauty and restraint” about “a beautiful young man [who] has been summoned to an eerie meditation retreat by a dying theatre director.” [read more at IMDb]
  • The Exiles by Kent Mackenzie, USA (Documentary). A 1961 documentary chronicling a day in the life of a group of twenty-something Native Americans who left reservation life in the 1950s to live in LA. [read more at Wikipedia]
  • Flipping out by Yoav Shamir, Israel/Canada (Documentary - International Premiere). “The little-known story of the after-shock of war: released Israeli soldiers experimenting with drugs to devastating affects.” [read more at itvs]
  • La frontera infinita (The Infinite Border) by Juan Manuel Sepúlveda, Mexico (Documentary - International Premiere). “Tells of the uninterrupted stream of migrants from Central America to the United States.” [read more at Forum site]
  • Higurashi by Hirosue Hiromasa, Japan (Drama). “Two single parents living in an anonymous suburban town with their children” do what they can to get by. [read more at Vancouver UrbanMixer]
  • Seaview by Paul Rowley, Nicky Gogan, Ireland (Documentary - International Premiere). “Over three years, the filmmakers lived in Mosney, gaining the trust of the residents who share their stories. The film presents an intimate look into their lives…waiting to be either accepted into Ireland, or sent back to the horror from which they fled.” [read more at stillfilms]
  • Shahida – Brides of Allah (Brides of Allah) by Natalie Assouline, Israel (Documentary - World Premiere). Assouline’s document of two years talking to five female Palestinian would-be suicide bombers currently residing in Israeli jails. [read more at emanuellevy.com]
  • South Main by Kelly Parker, USA (Documentary - World Premiere). The resettlement, on short notice, of residents of a soon-to-demolished apartment block in Los Angeles.
  • United Red Army by Wakamatsu Koji, Japan (Drama - International Premiere). “The international premiere of his impressive three-hour feature film on the Japanese terrorist group.” [read more at Berlinale site]

Read an interview with Christoph Terhechte, director of Forum.

Visit the websites of the Berlinale and International Forum.

Comments and Links Appreciated!

Berlinale 2008 - 7 - Forum - First Cut

26 January 2008

Not in order of preference - the numbers are just so I can do the math, to see what is possible while keeping my day job.

Post a comment if I’ve missed anything amazing - I’ll try to seem them all. (Pre-festival essay to come.) [full program, links & notes]

  1. Asyl - Park and Love Hotel (Asyl) by Kumasaka Izuru, Japan (Drama)
  2. Balikbayan Box by Mes De Guzman, Philippines/Netherlands/Switzerland (Drama - International Premiere)
  3. Be Like Others by Tanaz Eshaghian, USA/Canada/Iran (Documentary - International Premiere)
  4. Corridor #8 by Boris Despodov, Bulgaria (Documentary - World Premiere)
  5. Corroboree by Ben Hackworth, Australia (Drama)
  6. El Camino (The Path) by Ishtar Yasin Gutiérrez, Costa Rica/France (World Premiere)
  7. La frontera infinita (The Infinite Border) by Juan Manuel Sepúlveda, Mexico (Documentary - International Premiere)
  8. Flipping out by Yoav Shamir, Israel/Canada (Documentary - International Premiere)
  9. Green Porno by Isabella Rossellini, Jody Shapiro, USA (Shorts - International Premiere)
  10. Higurashi by Hirosue Hiromasa, Japan (Drama)
  11. Invisible City by Tan Pin Pin, Singapore (Documentary)
  12. Loos ornamental by Heinz Emigholz, Austria/Germany (Documentary - World Premiere)
  13. Musunde-hiraite (What the Heart Craves) by Takahashi Izumi, Japan (Drama - International Premiere)
  14. Paruthiveeran by Ameer Sultan, India (Drama - International Premiere)
  15. Seaview by Paul Rowley, Nicky Gogan, Ireland (Documentary - International Premiere)
  16. Shahida – Brides of Allah (Brides of Allah) by Natalie Assouline, Israel (Documentary - World Premiere)
  17. 監督 (Sweet Food City) by Gao Wendong, People’s Republic of China (World Premiere)
  18. Tatil Kitabi (Summer Book) by Seyfi Teoman, Turkey (World Premiere)
  19. Tirador (Slingshot) by Brillante Ma. Mendoza, Philippines (Drama)
  20. Tribu by Jim Libiran, Philippines (Drama)
  21. United Red Army by Wakamatsu Koji, Japan (Drama - International Premiere)
  22. Victoire terminus, les boxeuses de Kinshasa by Florent de la Tullaye, Renaud Barret, France/Democratic Republic of the Congo (Documentary - World Premiere)

Visit the websites of the Berlinale and International Forum.

Comments and Links Appreciated!

Berlinale 2008 - 6 - Forum - Middle East & Africa

21 January 2008

This year’s Forum offers 32 international and world premieres, including 16 directorial debuts. With six films from the Middle East and Africa.

PRE-FESTIVAL NOTES

Be Like Others by Tanaz Eshaghian, USA/Canada/Iran (Documentary - IP). Iranian men undergoing sex-change operations. [read an interview with Tanaz Eshaghian]

Divizionz by Yes! That’s Us, Uganda/South Africa (Drama). In this Ugandan hip-hop film set in the slums of Kampala, the protagonists “live from deals and fortunate coincidences, favors and extortion.” [read more at Berlinale site]

Flipping out by Yoav Shamir, Israel/Canada (Documentary - IP). “The little-known story of the after-shock of war: released Israeli soldiers experimenting with drugs to devastating affects.” [read more at itvs]

Mafrouza/Coeur (Mafrouza/Heart) by Emmanuelle Demoris, France/Egypt (Documentary - IP). “The second episode of the chronicle of the Mafrouza area, in Alexandria. The film starts with the song of a young boy of the shanty town, which will lead us to get deep into life in Mafrouza where we will share and follow the stories of some women and men living there.” [read more at Lussas - Le Village du Documentaire]

Shahida – Brides of Allah (Brides of Allah) by Natalie Assouline, Israel (Documentary - WP).. Assouline’s document of two years talking to five female Palestinian would-be suicide bombers currently residing in Israeli jails. [read more at emanuellevy.com]

Victoire terminus, les boxeuses de Kinshasa by Florent de la Tullaye, Renaud Barret, France/Democratic Republic of the Congo (Documentary - WP).

Visit the websites of the Berlinale and International Forum.

Comments and Links Appreciated!

Berlinale 2008 - 5 - Forum - Americas

This year’s Forum offers 32 international and world premieres, including 16 directorial debuts. Five selections from the Americas, all premieres.

PRE-FESTIVAL NOTES

El Camino (The Path) by Ishtar Yasin Gutiérrez, Costa Rica/France (WP).

La frontera infinita (The Infinite Border) by Juan Manuel Sepúlveda, Mexico (Documentary - IP). “Tells of the uninterrupted stream of migrants from Central America to the United States.” [read more at Forum site]

Green Porno by Isabella Rossellini, Jody Shapiro, USA (Shorts - IP). “A series of short films conceived, written by and featuring Rossellini about the sex life of insects and various creatures.” [read more at csrwire]

My Winnipeg by Guy Maddin, Canada (Documentary - IP). The filmmaker’s portrait of his hometown of Winnipeg, Manitoba.

South Main by Kelly Parker, USA (Documentary - WP). The resettlement, on short notice, of residents of a soon-to-demolished apartment block in Los Angeles.

Visit the websites of the Berlinale and International Forum.

Comments and Links Appreciated!

Berlinale 2008 - 4 - Forum - Europe & Russia

This year’s Forum offers 32 international and world premieres, including 16 directorial debuts. Eleven films, all premieres, were chosen from Europe and the Russian Federation.

PRE-FESTIVAL NOTES

Corridor #8 by Boris Despodov, Bulgaria (Documentary - WP). “A geographic tale” of “life along the Corridor #8 infrastructure project connecting the Adriatic and Black seas, and linking Bulgaria, FYROM, and Albania.” [read more at Thessaloniki Documentary Festival site]

Diorthosi (Correction) by Thanos Anastopoulos, Greece (Drama, IP). “Politically inclined and incisive.” [read more at Migrants in Greece]

Leo by Josef Fares, Sweden (Drama - IP). An “exploration of how we react to violence.” [read more The Local]

Loos ornamental by Heinz Emigholz, Austria/Germany (Documentary - WP). “Architecture as autobiography: The film presents 28 structures and spaces designed by Austrian architect Adolf Loos (1870 - 1933) in the chronological order in which they were built.” [read more at Austrian Film Commission]

Nacht vor Augen (Night Before Eyes) by Brigitte Bertele, Germany (Drama - WP). “A German soldier returning from Afghanistan takes out his combat trauma on his little brother.” [read more at Forum site]

Нирвана (Nirvana) by Igor Voloshin, Russian Federation (Drama - WP). “Sometimes, life loses its meaning at 20. Alisa runs away from boring life in a small provincial town to a big city life. She finds a job, rents an apartment. Her neighbors are a drug addict girl named Val and her boyfriend named Rabbit. One day Val sees death too closely, and it turns out that Alisa is the only close person who will not betray her. This is a simple story about love, friendship and betrayal. A simple story with no happy end. ” [read more at russart]

Le premier venu (Just Anybody) by Jacques Doillon, France/Belgium (Drama - WP). “French film auteur Jacques Doillon follows his young protagonist in provincial northwestern France. In her love affair with the first man to come along, she seeks an intensity that her bourgeois home denies her.” [read more at Berlinale site]

Regarde-moi (Ain’t Scared) by Audrey Estrougo, France (Drama - IP). “Audrey Estrougo shows how even the youth subculture in Paris’ suburbs is imprisoned in conventions. The film tells the same story of 24 hours in a cité twice in succession, first from a male and then from a female perspective, thereby evoking an atmosphere of social constriction that leaves no room for the individual.” [read more at Berlinale site]

Seaview by Paul Rowley, Nicky Gogan, Ireland (Documentary - IP). “Over three years, the filmmakers lived in Mosney, gaining the trust of the residents who share their stories. The film presents an intimate look into their lives…waiting to be either accepted into Ireland, or sent back to the horror from which they fled.” [read more at stillfilms]

Tatil Kitabi (Summer Book) by Seyfi Teoman, Turkey (WP).

La terramadre (Motherland) by Nello La Marca, Italy (Drama - WP).

Visit the websites of the Berlinale and International Forum.

Comments and Links Appreciated!

Berlinale 2008 - 3 - Forum - Asia & Pacific

20 January 2008

This year’s Forum offers 32 international and world premieres, including 16 directorial debuts. Films from 33 countries, with the strongest showing from Asia & the Pacific, including three new dramas from the Philippines: Balikbayan Box by Mes De Guzman; Tirador (Slingshot) by Brillante Ma. Mendoza; and Tribu by Jim Libiran.

PRE-FESTIVAL NOTES

Asyl - Park and Love Hotel (Asyl) by Kumasaka Izuru, Japan (Drama). Izuru’s directing debut paints “a big city oasis on the roof of a by-the-hour hotel in Tokyo.” [read more at Forum site]

Balikbayan Box by Mes De Guzman, Philippines/Netherlands/Switzerland (Drama - IP). A “deceptive rural idyll” that focuses on these “care packages” to tell a story of the children of immigrant Filipino workers in search of a living wage. [read more at Berlinale site]

Corroboree by Ben Hackworth, Australia (Drama). Megan Spencer of the Perth Film Festival describes this film as “a must for anyone who loves cinema.” “A haunting experience of intense beauty and restraint” about “a beautiful young man [who] has been summoned to an eerie meditation retreat by a dying theatre director.” [read more at IMDb]

Liu lang shen gao ren (God Man Dog) by Singing Chen, Taiwan (Drama). A pianist, her husband, a local alcoholic and his family, a Christian minister, and a young ne’er do well “cross paths after an auto accident in the mountains caused by a stray dog.” [read more at Variety Asia Online]

Grandmother’s Flower by Mun Jeong-hyun, Republic of Korea (IP).

Higurashi by Hirosue Hiromasa, Japan (Drama). “Two single parents living in an anonymous suburban town with their children” do what they can to get by. [read more at Vancouver UrbanMixer]

Invisible City by Tan Pin Pin, Singapore (Documentary). Tan Pin Pin “interviews photographers, journalists, archaeologists, people propelled by curiosity to find a City for themselves.” [read more at Invisible City]

Musunde-hiraite (What the Heart Craves) by Takahashi Izumi, Japan (Drama - IP). “Sensitively and subtly devoted to dysfunctional love and family relationships.” [read more at Forum site]

Paruthiveeran by Ameer Sultan, India (Drama - IP). Exploring the relationship of “a half-caste criminal and a girl from the Thevar community who loves him obsessively, and must face the consequences of her passion.” [read more at Osians Cinefan]

Son of a Lion by Benjamin Gilmour, Australia/Pakistan (Drama). A boy “wants to escape a world characterized by armed violence and archaic traditions” to attend school. [read more at blnz]

監督 (Sweet Food City) by Gao Wendong, People’s Republic of China (WP).

Tatil Kitabi (Summer Book) by Seyfi Teoman, Turkey (WP).

Tirador (Slingshot) by Brillante Ma. Mendoza, Philippines (Drama). An “elegant parable of the metropolis” that includes “an astonishing, breathless opening sequence, police raid a tenement building in the teeming, narrow-alleyed slum of Quaipo.” [read more at Dubai FilmFest]

Tribu by Jim Libiran, Philippines (Drama). “A gripping feature film about gangs in Tondo” told from the point of view of a 10-year-old boy. [read more at Forum site]

United Red Army by Wakamatsu Koji, Japan (Drama - IP). “The international premiere of his impressive three-hour feature film on the Japanese terrorist group.” [read more at Berlinale site]

Yasukuni by Li Ying, Japan/People’s Republic of China (Documentary). “Controversy abounds as Japanese officials honor the deceased at the legendary Yasukuni shrine, where swords used to kill Chinese soldiers were famously forged. Few know about the shrine’s eerie past and the mysterious sword inside.” [read more at IMDb]

Visit the websites of the Berlinale and International Forum.

Comments and Links Appreciated!

Berlinale 2008 - 2 - Forum Program Announced

19 January 2008

This year’s Forum offers 32 international and world premieres, including 16 directorial debuts, and a tribute to Wakamatsu Koji.

Asia & Pacific [pre-festival notes]
Asyl - Park and Love Hotel (Asyl) by Kumasaka Izuru, Japan (Drama)
Balikbayan Box by Mes De Guzman, Philippines/Netherlands/Switzerland (Drama - IP)
Corroboree by Ben Hackworth, Australia (Drama)
Liu lang shen gao ren (God Man Dog) by Singing Chen, Taiwan (Drama)
Grandmother’s Flower by Mun Jeong-hyun, Republic of Korea (IP)
Higurashi by Hirosue Hiromasa, Japan (Drama)
Invisible City by Tan Pin Pin, Singapore (Documentary)
Musunde-hiraite (What the Heart Craves) by Takahashi Izumi, Japan (Drama - IP)
Paruthiveeran by Ameer Sultan, India (Drama - IP)
Son of a Lion by Benjamin Gilmour, Australia/Pakistan (Drama)
監督 (Sweet Food City) by Gao Wendong, People’s Republic of China (WP)
Tatil Kitabi (Summer Book) by Seyfi Teoman, Turkey (WP)
Tirador (Slingshot) by Brillante Ma. Mendoza, Philippines (Drama)
Tribu by Jim Libiran, Philippines (Drama)
United Red Army by Wakamatsu Koji, Japan (Drama - IP)
Yasukuni by Li Ying, Japan/People’s Republic of China (Documentary)

Europe & Russia [pre-festival notes]
Corridor #8 by Boris Despodov, Bulgaria (Documentary - WP)
Diorthosi (Correction) by Thanos Anastopoulos, Greece (Drama, IP)
Leo by Josef Fares, Sweden (Drama - IP)
Loos ornamental by Heinz Emigholz, Austria/Germany (Documentary - WP)
Nacht vor Augen (Night Before Eyes) by Brigitte Bertele, Germany (Drama - WP)
Нирвана (Nirvana) by Igor Voloshin, Russian Federation (Drama - WP)
Le premier venu (Just Anybody) by Jacques Doillon, France/Belgium (Drama - WP)
Regarde-moi (Ain’t Scared) by Audrey Estrougo, France (Drama - IP)
Seaview by Paul Rowley, Nicky Gogan, Ireland (Documentary - IP)
Tatil Kitabi (Summer Book) by Seyfi Teoman, Turkey (WP)
La terramadre (Motherland) by Nello La Marca, Italy (Drama - WP)

Americas [pre-festival notes]
El Camino (The Path) by Ishtar Yasin Gutiérrez, Costa Rica/France (WP)
La frontera infinita (The Infinite Border) by Juan Manuel Sepúlveda, Mexico (Documentary - IP)
Green Porno by Isabella Rossellini, Jody Shapiro, USA (Shorts - IP)
My Winnipeg by Guy Maddin, Canada (Documentary - IP)
South Main by Kelly Parker, USA (WP)

Middle East [pre-festival notes]
Be Like Others by Tanaz Eshaghian, USA/Canada/Iran (Documentary - IP)
Flipping out by Yoav Shamir, Israel/Canada (Documentary - IP)
Mafrouza/Coeur (Mafrouza/Heart) by Emmanuelle Demoris, France/Egypt (Documentary - IP)
Shahida – Brides of Allah (Brides of Allah) by Natalie Assouline, Israel (Documentary - WP)

Africa [pre-festival notes]
Divizionz by Yes! That’s Us, Uganda/South Africa (Drama)
Victoire Terminus, Kinshasa by Florent de la Tullaye, Renaud Barret, France/Democratic Republic of the Congo (Documentary - WP)

Tribute to Wakamatsu Koji
天使の恍惚 - Tenshi no Kokutsu (Ecstasy of the Angels), Japan 1972
ゆけゆけ二度目の処女 - Yuke, Yuke Nidome No Shojo (Go, Go Second Time Virgin), Japan 1969
Secrets Behind the Wall, Japan 1965

Visit the websites of the Berlinale and International Forum.

Comments and Links Appreciated!

Global Lens 2008

18 January 2008

A program of the Global Film Initiative, with screenings at the Museum of Modern Art and New York Film Academy with African Film Festival, Inc. and Cinema Tropical, NYC, 10 January - 30 January 2008.

ALL FOR FREE
Antonio Nuic, Croatia, 2006

THE BET COLLECTOR
Jeffrey Jeturian, Philippines, 2006

BUNNY CHOW
John Barker, South Africa, 2006

THE CUSTODIAN
Rodrigo Moreno, Argentina, 2006

THE FISH FALL IN LOVE
Ali Raffi, Iran, 2006

KEPT & DREAMLESS
Vera Fogwill and Martín Desalvo, Argentina, 2005

THE KITE
Randa Chahal Sabbag, Lebanon, 2004

LET THE WIND BLOW
Partho Sen-Gupta, India, 2005

LUXURY CAR
Wang Chao, China, 2006

OPERA JAWA
Garin Nugroho, Indonesia, 2006

The Global Film Initiative Film Board includes Pedro Almodóvar, Lucy Barreto, Jean-Pierre Bekolo, Noah Cowan, Sandra den Hamer, Christopher Doyle, Adoor Gopalakrishnan, Rashid Masharawi, Mira Nair, Carlos Reygadas, Pierre Rissient, Lita Stantic, Béla Tarr, Djamashed Usmonov, Lars von Trier, and Apichatpong Weerasethakul.

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GlobalFest 2008

Twelve artists from around the world on three stages, at Webster Hall, NYC, Sunday 13 January.

Chango Spasiuk (Argentina) - chamamé [website]

Crooked Still (USA) - bluegrass [website]

Dulsori (Korea) - wild beat [website]

Fallou Dieng & Le DLC - mbalax [website]

Little Cow (Hungary) - gypsy-tinged ska/rock/funk/pop [website]

Lo Còr de la Plana - occitan [website]

Nation Beat (USA/Brazil) - maracatu/deep south [website]

Pistolera (NYC/Mexico) - cumbia [website]

Puerto Plata (Dominican Republic/USA) - sones/boleros/serenades [website]

Samarabalouf (France) - jazz manouche/jazz balkanique [website]

Toumast (Niger/France) - desert blues/Touareg rock’n'roll [website]

Vinicio Capossela (Italy) - Italian song [website]

See performance photos at Flickr

Read the New York Times review.
Artists’ CDs are available from Tribal Soundz (www.tribalsoundz.com).

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Three Takes on Corporate Social Responsibility

5 January 2008

This month three policy journals feature articles on corporate social responsibility, from radically different perspectives.

World Economic Forum founder Klaus Schwab writes in Foreign Affairs about corporations, governments and civil society (“Global Corporate Citizenship”). Gerald Davis, Marina Whitman, and Mayer Zald survey the field in the Stanford Social Innovation Review(“The Responsibility Paradox”). Jess Worth pillories CSR as “corporate greenwash” in New Internationalist (”Corporate Responsibility Unmasked”), which seems only available in print for now, but may become available soon.

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Where is Avery? (January 2008)

Saturday 12 January
Sandhill Healings: Important Works by Emery Blagdon
Cavin-Morris Gallery, NYC

Mask
James Cohan Gallery, NYC

Jessie Dunahoo
Andrew Edlin Gallery, NYC

Sunday 13 January, 6 pm
Globalfest
Webster Hall, NYC

Monday 14 January, 7 pm
Kubrador (The Bet Collector). 2006, Philippines. Dir: Jeffrey Jeturian.
Museum of Modern Art, NYC

Saturday 19 January, 2 pm
Opera Jawa. 2006, Indonesia. Dir: Garin Nugroho.
Museum of Modern Art, NYC

Sunday 20 January, 8 pm
SENSEDANCE in “Amarathine Road”
City Center Studio 4, NYC

Thursday, 31 January, 8 pm
Hansel and Gretel
Metropolitan Opera, NYC

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New York, Berlin, and the Betrayal of Modernism

4 January 2008

A new project. Circa 1950.

Three books to start:

  • Gay, Peter. Modernism: The Lure of Heresy. From Baudelaire to Beckett and Beyond. New York: Norton, 2007.
  • Spotts, Frederic. Hitler and the Power of Aesthetics. Woodstock, NY: Overlook, 2003.
  • Ballon, Hilary and Jackson, Kenneth T. (eds). Robert Moses and the Modern City: The Transformation of New York. New York: Norton, 2007.

The regional vision that Moses was attempting to impose in the 1950s had undergone significant changes since the 1920s era of the Long Island parkways and Jones Beach. Then, he had viewed the automobile and the highway as a means for the middle class to escape the city for its unspoiled hinterlands. In the 1930s, his work on the Triborough Bridge led him toward a more radically modernist view of automobile transportation and of the city in general. Like so many self-proclaimed hardheaded realists, Moses was increasingly captivated by a vision – the vision of a city of towers-in-parks and expressways – that derived ultimately from Le Corbusier’s Ville Contemporaine (1922) and Plan Voisin for Paris (1925) and the CIAM (Congrès internationaux d’architecture moderne) Athens Charter (1933). As specified by Le Corbusier’s disciple (and later dean of the Harvard Graduate School of Design) José Lluis Sert in Can Our Cities Survive? (1942), this doctrine held that the typical urban fabric of New York City was fundamentally obsolete, its narrow streets and dense dwellings a failing relic of the horse-and-buggy era.

-from Robert Moses and the Modern City: The Transformation of New York

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